#SEISMAC AUDIO ANDROID#
Look at the XR18 thing from Behringer and get out your Android tablet. You will be surprised at the difference this makes in the performance of your system. Dump the ZED and get a digital mixer and use variable high pass to clean up your mix. What you first describe is spending money on junk. Look at the RCF powered subs for an idea. In other words: keep your powered top boxes and get a x-over (Rane AC22?) or dsp (I do not recommend the cheep DriveRack - no!) and a pair of high quality 1x15 or 1x18. Playing around with it, I was really surprised. What we did for him is I gave him a pair of 1x15'er boxes loaded with JBL 2226/equivalent (1x15 per side + the EV top box) and he uses a QSC dsp for x-over and a QSC PLX-whatever amp to drive the 1x15'ers. My buddy has those top speakers you have. TL DR - Are Seismic Audio speakers adequate "workhorse" speakers for a poor band, or will they be unreliable pieces of junk that I'll regret buying? This leads me to think that a lot of the negative connotations associated with these speakers come from folks who actually don't have any hands-on experience with the product.ĭoes anyone have any real experience with Seismic Audio speakers?ĭo you think this seismic system paired with the driverack PA2 (and its awesome auto-eq features) will sound decent? I'm thinking that if the driverack can flatten out the response of the speakers in the room, we shouldn't have too much trouble coming up with a mix that sounds pretty good. Nearly all of these bad reviews are short "seismic speakers are shit" posts without any information about specifically why they are terrible. I have read great reviews on seismic's website, but on nearly every other gear forum, seismic gets a bad rap. My seismic snake has been a tank and has held up extremely well thus far.
He loves the system and swears by seismic audio gear, but he lives far away so I can't really go hear the system in person.
I have a friend who has more or less the same setup, only using all passive speakers and seismic power amps. One huge benefit of this package is that it will allow us to use our EVs as floor monitors, which would make everyone in the band much happier. The subwoofers have satellite amps built in that can drive the 2x15 speakers at 200w. I also plan to purchase a DBX Driverack PA2. Specifically, this package: ġ8 inch powered subwoofer (800w RMS) (x2)Ģx15 passive tower speaker rated at 700w RMS (x2) I've been heavily considering a Seismic Audio system.
#SEISMAC AUDIO UPGRADE#
I'm looking to upgrade our PA considerably, but I don't have a ton of cash on hand. Our powered EV's can't handle the whole band running through them in these situations, mostly in the low end. In both of these situations, we need to provide a PA. Lately, we've been booking shows outdoors and also at larger bars that don't have a PA. When we need to bring a PA, it has historically been for smaller venues where we could get away without micing up guitars or drums. In most of the larger bars / venues, a PA is provided for us. We've been playing out for the better part of a year. I'm in a 5 piece indie rock / pop band (2 guitars, bass guitar, drums, vocals).ĮV ZLX12P Powered speakers (250w RMS) (x2) In this panel discussion for the 2022 SVG RSN Summit, RSN leaders discuss best practices in designing a live-streaming app, avoiding potential pitfalls, enhancing fan interactivity, differentiating the digital experience, and leveraging non-game content for streaming/OTT outlets.Here's my situation. Some have launched their own DTC streaming platforms - or have announced plans to do so -in order to reach fans directly while others launched dedicated apps and streaming experiences for authenticated cable subscribers. These leaders addressed how RSNs are being challenged to produce more events and content at lower costs while also navigating new pandemic-era realities and building beyond the linear-distribution model.Īs consumer viewing habits evolve and carriage disputes become more frequent, RSNs are looking for new ways to deliver live games and original content directly to consumers. SVG’s RSN Summit brought regional sports network leaders and content creators together in Chicago on June 29 and 30 to network and exchange ideas about the pertinent issues facing the regional sports sector as the business undergoes seismic change on multiple fronts.
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